(Or Fiction that Acknowledges the Existence of Conservation and Conservators)
Rebecca Anne Rushfield & Patricia S. GriffinIf you have additions, updates, or corrections, please send them to Rebecca A. Rushfield <wittert@juno.com>
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"The plot is an intriguing one. A dishonest violin restorer, Charles Morritz ([Samuel L.] Jackson), believes he has located Nicolo Bussotti's famous red violin. Described as the "single most perfect acoustical machine" ever, the violin has had a long and troubled history. The movie skips back to its controversial birth in 1681 and then flashes forward and backward in time as it traces the violin's world travels."
A retired American astronaut living in Alaska purchases an antique German timepiece at great expense. The piece arrives accompanied by a young German craftsman/restorer who assembles the components and starts the mechanism. The new owner is upset that it does not keep perfect time and tries to get the craftsman to "fix it". The craftsman packs up the clock saying that anyone who demands accuracy from a centuries old work of art does not deserve to own it. Eventually the astronaut comes to accept the clock as it is and the craftsman lets him keep it.