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[AMIA-L] Early Widescreen
- To: AMIA-L@xxxxxxxxxxx
- Subject: [AMIA-L] Early Widescreen
- From: James Layton <layton90210@xxxxxxxxx>
- Date: Thu, 29 Nov 2007 21:36:32 +0000
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Hi,
In the late 20s and early 30s several films were produced in large format widescreen; processes such as Fox Grandeur, Realife, Vitascope, Natural Vision & Magnifilm - all rival formats from different studios.
Does anyone know what has survived of these films and in what condition? I would imagine that for most of these we only have 35mm copies if that. I know there have been restorations of 'The Big Trail' and 'The Bat Whispers', but are there 70mm prints available for modern theatrical projection or just 35mm anamorphic? Also I believe there is a 35mm print of some Fox Grandeur News which has been shown at the Widescreen Festival in Hollywood, I'm not sure where though.
Here is a short list of many of these early large format films. Does anyone know if elements of any type for these films still exist? I'm very interested to know and are there any modern prints of the widescreen versions of these films in 70mm or 35mm?
Natural
Vision
The
American (J. Stuart Blackton, 1927, Natural Vision Pictures)
Danger
Lights (George B. Seitz, 1930, RKO)
Niagra
Falls
Campus
Sweethearts (James Leo Meehan, 1930, RKO) short
Fox
Grandeur
Fox
Movietone Follies of 1929 (David Butler, 1929, Fox Film Corporation)
Fox
Grandeur News (1929)
Happy
Days (Benjamin Stoloff, 1929, Fox Film Corporation)
The
Big Trail (Raoul Walsh, 2 October 1930, Fox Film Corporation)Song
O' My Heart (Frank Borzage, 1930, Fox Film Corporation)
Vitascope
A
Soldier's Plaything (Micheal Curtiz, 1930, Warner Bros. Pictures)
The
Lash (1930, First National Pictures)
Kismet
(John Francis Dillon, 1930, First National Pictures)
Larry
Ceballos Review (short)
You're
in the Army Now (short)
Realife
Billy
the Kid (King Vidor, 1930, MGM)
The
Great Meadow (Charles Brabin, 1931, MGM)
Magnifilm
The
Bat Whispers (Roland West, 1930, Joseph M. Schenck Productions/United
Artists)
All help and information is greatly appreciated.
Thanks,
James Layton