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Re: p's and q's revisited
- To: BOOK_ARTS-L@xxxxxxxxxxxxxxxx
- Subject: Re: p's and q's revisited
- From: Jennifer Vignone <opus@xxxxxxxx>
- Date: Tue, 27 Jan 1998 13:25:02 -0500
- In-reply-to: <199801271749.MAA23748@mx1.tiac.net>
- Message-id: <199801271824.KAA19836@SUL-Server-2.Stanford.EDU>
- Sender: "Book_Arts-L: The list for all the book arts!" <BOOK_ARTS-L@xxxxxxxxxxxxxxxx>
You know, you even added a bit of drama to your explanation, which made it
all the more exciting...thank you.
--------------------
>Picture this: a California Job Case -- a big shallow drawer
>divided into many dozen little compartments (89). Each compartment
>is for a symbol in the font you are using: one compartment for
>all the 'e's, one for all the '&'s, etc. Each piece of lead
>in this case is called a sort.
>
>As you compose your text, you use up these sorts. Maybe you
>started with 40 'a's. After you have composed enough text
>to use up all those 'a's, you can not compose another word
>using an 'a'. You are OUT OF SORTS. (you know the feeling?)
>
>The work around is to put in another sort of the same width
>as the missing character upside down (showing the "feet" of
>the sort, not the replacement character). When you can free
>up your sorts, you swap in the needed character.
>
>Regards,
>
> David.
>
>Jennifer Vignone wrote:
>>
>> Hey--can you give the background on this too?? ("out of sorts") I would
>> love to know what the derivation of this is...thanks.
>>
>> jennifer
>>
>> >
>> >Also, printing is where "out of sorts" comes from too!
>> >Regards,
>> >
>> > David Macfarlane,
>> > Green Dolphin Press.
>> > www.greendolphinpress.com