Audio Preservation

Contributing Editor: Hannah Frost
Created by the PARS Recording and Photographic Media Committee
of the American Library Association

See also

Electronic Storage Media
Video Preservation
Motion Picture Film Preservation

Overview
Collection Assessment
Format and Sound Recording History
Standards, Guidelines, and Best Practices
Bibliographic Resources
Digital Audio: Guides, Formats, Books & Articles, Projects, Standards
Organizations Concerned With Audio Preservation
Mailing Lists
Audio Preservation Resources at Other Sites

Overview

Audio Archiving Resources: An Annotated Bibliography

An excellent webliography.

Council on Library and Information Resources

CLIR publishes many reports on, among other topics, fundamental issues in audio preservation and recent related research and activities.

pub137 Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes. March 2006.

pub135 Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives by June M. Besek. December 2005.

pub133 Survey of Reissues of U.S. Recordings by Tim Brooks. August 2005.

pub128 Survey of the State of Audio Collections in Academic Libraries by Abby Smith, David Randal Allen, and Karen Allen. August 2004.

pub121 Care and Handling of CDs and DVDs: A Guide for Librarians and Archivists by Fred R. Byers. October 2003.

pub106 Building a National Strategy for Preservation: Issues in Digital Media Archiving. Various contributors. April 2002.

pub96 Folk Heritage Collections in Crisis. Report of the conference on audio preservation, rights management, and intellectual access held at Library of Congress in December 2000. May 2001.
Contents include:

Stating the Obvious: Lessons Learned Attempting Access to Archival Audio Collections by Virginia Danielson
Preservation of Audio by Elizabeth Cohen
Intellectual Property and Audiovisual Archives and Collections by Anthony Seeger

pub95 Preservation Science Survey: An Overview of Recent Developments in Research on the Conservation of Selected Analog Library and Archival Materials by Henk J. Porck and René Teygeler. Includes a chapter on magnetic tape. December 2000.

pub54 Magnetic Tape Storage and Handling: A Guide for Libraries and Archives by John Van Bogart. December 2000.

International Association of Sound and Audiovisual Archives

Guidelines on the Production and Digitization of Digital Audio Objects. IASA-TC04 Technical Committee on Standards, Recommended Practices, and Strategies. "The Sub-Committee on Technology of the Memory of the World Programme of UNESCO recommends these guidelines as best practice for Audio-visual Archives." August 2004. Print version available for purchase.

Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy (PDF), IASA-TC 03, version 3, 2005.

More IASA publications

Library of Congress

Cylinder, Disc, and Tape Care in a Nutshell

National Archives and Records Administration

Sound Recordings Procedures Manual
From 1993, "this manual prescribes . . . procedures that cover unique aspects of accessioning, storing, preserving, and duplicating sound recordings in the custody of NARA."

National Library of Canada

Preservation of Recorded Sound Materials
Includes sections on care and handling, storage, reformatting, and extensive bibliographies.

Save Our Sounds

Preserving Sound Recordings
A general description of the preservation concerns related to sound recording formats.

Sound Directions: Digital Preservation and Access for Global Audio Heritage

Best Practices for Audio Preservation
Published by Harvard University and Indiana University, this is a comprehensive resource on the current state of audio preservation. Information for curators, collection managers, audio archivists, audio engineers, and anyone involved in building digital libraries. Includes sample metadata documents and software tools.

Sound Savings: Preserving Audio Collections

Proceedings from the Symposium
Links to papers presented at the University of Texas at Austin, July 24-26, 2003.

Collection Assessment

Archives of Traditional Music at Indiana University: FACET (Field Audio Collection Evaluation Tool)
New York University Libraries: ViPIRS (Visual & Playback Inspection Ratings System)
University of Illinois at Urbana-Champaign Libraries: Audio-Visual Self-Assessment Program

Formats and Sound Recording History

Delos A. Eilers: 3M Audio Open Reel Tape List
IEEE Virtual Museum: The Beat Goes On: How Sounds are Recorded and Made
Steve Schoenherr: Recording Technology History

Standards, Guidelines, and Best Practices

Audio Engineering Society Standards Committee

Standards in Draft

Standards in Print
Provides links to free single-copy downloads of PDF documents, including:

AES6id-2000 AES information document for digital audio -- Personal computer audio quality measurements [2000-05-01 printing];
AES17-1998 AES standard method for digital audio engineering -- Measurement of digital audio equipment [1998-04-29 printing];
AES22-1997 (Reaffirmed 2003) AES recommended practice for audio preservation and restoration -- Storage and handling -- Storage of polyester-base magnetic tape [1997-12-11 printing];
AES28-1997 (Reaffirmed 2003) AES standard for audio preservation and restoration -- Method for estimating life expectancy of compact discs (CD-ROM), based on effects of temperature and relative humidity [2001-06-29 printing, includes Amendment 1-2001];
AES35-2000 AES standard for audio preservation and restoration - Method for estimating life expectancy of magneto-optical (M-O) disks, based on effects of temperature and relative humidity [2000-05-04 printing];
AES38-2000 AES standard for audio preservation and restoration -- Life expectancy of information stored in recordable compact disc systems -- Method for estimating, based on effects of temperature and relative humidity [2000-04-07 printing]

Canadian Conservation Institute

How to Care for Sound Recordings

International Organization for Standardization (ISO)

Standards Relating to Telecommunications, Audio and Video Engineering

National Screen and Sound Archive (formerly ScreenSound Australia)

How to Care for Your Audio

Society of Motion Picture and Television Engineers (SMPTE)

Standards and Recommended Practices in Print

Including SMPTE RP 103-1982 (Reaffirmed 1987). Care and Handling of Video Magnetic Recording Tape.

Bibliographic Resources

Infography: Sound Recordings -- Conservation and Restoration
Library of Congress Preservation Directorate: Research and Testing Publications.
Provides a listing of printed reports which are available at no charge to the public upon request. Several address audiovisual materials specifically, including the most recent report issued in February 2002, "Bibliography on the Preservation of Magnetic Media" by Gerald D. Gibson.
Society of American Archivists (SAA): Selected Readings in Moving Image and Sound Recording Preservation
Recorded Sound Round Table Newsletter (hosted by Safe Sound Archive; includes links to other pertinent articles)

Books and Articles

Association for Recorded Sound Collections. Associated Audio Archives Committee.: Audio Preservation: A Planning Study -- Final Performance Report. (Silver Spring, MD: Association for Recorded Sound Collections). Report resulting from an NEH-funded survey conducted 1986-1987. Includes glossary and bibliography. 1987.
Audio Engineering Society: Journal of the Audio Engineering Society, July/August 2001 Supplementary Journal Material. Selected articles available in PDF format from this issue devoted to archiving, restoration, and digital libraries. Includes a list of Internet resources.
CBC Engineering Operations Department: Recommended Practice for the Care, Handling and Storage of CBC A/V Magnetic Media. (Montreal: Canadian Broadcasting Corporation). Extensive coverage of practices related to the care of AV magnetic media. c1990.
George Brock-Nannestad: The Rationale Behind Operational Conservation Theory, 2000 (PDF); Presented at Conservation Without Limits, IIC Nordic Group XV Congress 23-26 August 2000, Helsinki, Finland and printed in the PREPRINTS (Editor Riitta Koskivirta) pp 21-33.
Margaret S. Child: Directory of Information Sources on Scientific Research Related to the Preservation of Sound Recordings, Still and Moving Images, and Magnetic Tape. (Washington, D.C.: Commission on Preservation and Access). Sources of information include the names of laboratories and organizations, databases, serials, monographs and articles, and conference proceedings. 1993.
Eddie Ciletti: "If I Knew You Were Coming I'd Have Baked a Tape!"
An explanation of the tape baking process used by some to temporarily counteract the effects of Sticky Shed Syndrome.
Peter Copeland: "What Should a Sound Archive Really Do?" In Care of Photographic, Moving Image and Sound Collections: Conference Papers, York, England, July 20-24, 1998, edited by Susie Clark (Worcestershire: Insitute of Paper Conservation): 11-12. 1999.


Edward F. Cuddihy: "Stability and Preservation of Magnetic Tape." In Proceedings of Conservation in Archives. International Symposium, Ottawa, Canada, May 10-12, 1988 (Ottawa: National Archives of Canada): 191-206. Considers environmental conditions considered safe for tape use and storage. 1989.
Jim Farrington: "Preventive Maintenance for Audio Discs and Tapes." In Notes: Quarterly Journal of the Music Library Association vol. 48, no. 2: 437-445. Includes information about best environmental conditions for maintenance of audio media. December 1991.
Gerald D. Gibson: "Preservation and Conservation of Sound Recordings." In Conserving and Preserving Materials in Nonbook Formats. Edited by Kathryn Luther Henderson and William T. Henderson (Urbana-Champaign, Ill.: University of Illinois, Graduate School of Library and Information Science): 27-44. Discusses sound recordings materials, cleaning, and storage. Appendices provide information on weight and space requirements, recommended storage materials, and vendors for supplies. 1991.
Helen P. Harrison, ed.: Audiovisual Archives: A Practical Reader [PDF]. Compiled for the General Information Programme and UNISIST under the auspices of United Nations Educational, Scientific and Cultural Organization (UNESCO). Section VII includes: "Preservation of Audio and Video Materials in Tropical Countries" and "Strategies for the Safeguarding of Audio and Video Materials in the Long Term" by Dietrich Schüller, Phonogrammarchiv, Vienna. Section XII includes "Emergency Preparedness and Disaster Recovery in Audiovisual Collections" by Gerald D. Gibson, Library of Congress, Washington DC. 1997.
Richard Hess: "The Jack Mullin/Bill Palmer Tape Restoration Project." [PDF] In Journal of the Audio Engineering Society vol. 49 no. 7-8: 671-674. Chronicles the restoration of perhaps the oldest extant magnetic tapes. 2001.

See also Hess's blog, which contains extensive information on formats, restoration, and more.
Ken Howarth: "Handling and Care of Modern Audio Tape." In Care of Photographic, Moving Image and Sound Collections: Conference Papers, York, England, July 20-24, 1998, edited by Susie Clark (Worcestershire: Insitute of Paper Conservation): 172-176. 1999.

John C. Mallinson: "Magnetic Tape Recording: History, Evolution and Archival Considerations." In Proceedings of Conservation in Archives, International Symposium, Ottawa, Canada, May 10-12, 1988 (Ottawa: National Archives of Canada): 181-190. Notes concerns for the stability of tapes (audio, video, computer) and for the future availability of the equipment for use with these tapes. 1989.
The Midwestern Archivist: Volume XVI, number 1 is devoted to audio preservation topics. 1991.
David Morton: Off the Record: The Technology and Culture of Sound Recording in America. (New Brunswick: Rutgers University Press). 2000.

Brenda Nelson-Strauss: "Preservation Policies and Priorities for Recorded Sound Collections." In Notes: Quarterly Journal of the Music Library Association vol. 48, no. 2. 1991.
Christopher Ann Paton, Stephanie E. Young, Harry P. Hopkins, and Robert B. Simmons: "A Review and Discussion of Selected Acetate Disc Cleaning Methods: Anecdotal, Experimential and Investigative Findings." In ARSC Journal vol. 28, no 1: 1-23. 1997.
A.G. Pickett and M.M. Lemcoe: Preservation and Storage of Sound Recordings. (Washington, D.C.: Library of Congress). 1959. This seminal report, detailing the findings of a study initiated by the Library of Congress on the degradation of phonographs and tapes, was re-printed by the Association for Recorded Sound Collections in 1991.

Mark Roosa: Recorded Sound Preservation: Selected Bibliography.
Steven Smolian: "Preservation, Deterioration, and Restoration of Recording Tape." In ARSC Journal vol. 19, no. 2-3: 37-53. 1989.
Gilles St. Laurent: The Care and Handling of Recorded Sound Materials. (Washington, D.C.: Commission on Preservation and Access). Outlines problems and offers advice for the care and storage of various types of recordings including discs, tapes, CDs, etc. 1996.
Howard M. Tremaine: Audio Cyclopedia. Indianapolis: Howard W. Sams & Co. 1979.

Alan Ward: A Manual of Sound Archive Administration. (Aldershot, Hants, England; Brookfield, Vermont, USA: Gower). Includes a chapter on the preservation of sound archives, and model codes of practice for storage and handling. 1990.
Richard Warren Jr.: "Storage of Sound Recordings." In ARSC Journal vol. 24, no 2: 130-175. 1993.; "Handling of Sound Recordings." In ARSC Journal vol. 25, no 2: 139-162. 1994.

Digital Audio

Guides

Arts and Humanities Data Service: Preservation Handbook: Digital Audio. Contains a lot of solid technical information in easy-to-understand language. July 2005.
Collaborative Digitization Program: Digital Audio Best Practice Guidelines. A resource which address many of the paramount issues involved in audio preservation and digital reformatting. Includes a glossary and resource list. Version 2.0, November 2005.
Nick Fells, Pauline Donachy, and Catherine Owen: Creating Digital Audio Resources: A Guide to Good Practice. (Oxford: Oxbow Press). Produced by The Performing Arts Data Service, a part of The Arts and Humanities Data Service in the UK. "A basic 'how to' for those using audio materials in the creation of digital resources. The guide addresses issues of [UK] copyright, the choice of appropriate equipment, presenting and delivering audio material, data management and methodological procedure." Also offers a thorough introduction to preservation and documentation issues. 2002.

The NINCH Guide to Good Practice in the Digital Representation and Management of Cultural Heritage Materials: While chapter seven specifically addresses Audio/Video Capture and Management, other sections of this guide provide information relevant to digital audio and preservation, such as the appendices on equipment, metadata, digital data capture by sampling and a very extensive bibliography. Produced by the Humanities Advanced Technology and Information Institute (HATII), University of Glasgow, and the National Initiative for a Networked Cultural Heritage (NINCH). 2002.

File Formats

Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University

The Canonical WAVE Format

Diffuse

Audio Interchange Standards (NOTE: This URL points to the Diffuse site preserved by the Internet Archive in June 2003.)

Includes AIFF, MIDI, MPEGs, WAVE, and more

European Broadcasting Union

Technical Specification 3285: Broadcast Wave Format: a format for audio data files in broadcasting Version 1, July 2001. [pdf]

Books and Articles

"Archiving Digital Audio": A compendium of presentations delivered at the Association of Moving Image Archivists' 2002 annual conference in Boston, Mass. Includes: "Digital Media Decay Issues" by Keith Watanabe, "Digital Audio" by Elizabeth Cohen, "The Joy of Metadata!" by Scott Wood, and "Solarius Pro Tools Naming Conventions" by Larry Blake.
Frank Beacham: "Archivists Warn: Don't Depend on Digital Tape."
Samuel Brylawski: "Preservation of Digitally Recorded Sound." In Building a National Strategy for Preservation: Issues in Digital Media Archiving. Washington, DC: Council on Library and Information Resources. 2002.
Vitaliy Fadeyev, Carl Haber, et al.: Audio Reconstruction of Mechanically-Recorded Sound by Digital Processing of Metrological Data [PDF]
Paper presented at the AIC Electronic Media Group 2004 meeting in Portland, Oregon.; Alternate version submitted to Journal of the Audio Engineering Society.
Robert W. Grotke: "Digitizing the World�s Largest Collection of Natural Sounds: Key Factors to Consider when Transferring Analog-Based Audio Materials to Digital Formats"
In RLG DigiNews vol. 8, no. 1. February 2004.
William A. Penn and Martha J. Hanson: "The Syracuse University Library Radius Project: Development of a non-destructive playback system for cylinder recordings"
In First Monday vol. 8, no. 5. May 2003.
Ken C. Pohlmann: Principles of Digital Audio. (New York: McGraw-Hill). Third edition, 1995.
Michael Seadle: "Sound Practice: A Report of the Best Practices for Digital Sound Meeting." In RLG DigiNews vol. 5, no. 2. A summary of discussions held by "about forty people from around the country [who] met at the Library of Congress (LC) on the last day of the American Library Association's 2001 midwinter meeting to discuss best practices for digital sound." 2001.
Dietrich Schüller: "Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain." Journal of the Audio Engineering Society, Volume 49 Number 7/8, July/August 2001.
John Watkinson: The Art of Digital Audio. (Boston: Focal Press). A thorough manual on the technical aspects of digital audio. Addresses the physics of sound as well as conversion by sampling, compression, optical disks, sound quality considerations, and much, much more. Third edition, 2001.
Colin Webb and Kevin Bradley: "Preserving Oral History Collections." In Ariadne: The Web Version vol. 8. A "look at some of the practical realities, and implications, of introducing digital technology into the sound preservation funcations of the National Library of Australia." March 1997.

Projects

CCRMA, Stanford University: Edison Revisited and the William H. "Cigar Bill" Nieman Sr. Collection of Historical Recordings
Digital Projects and Developing Technologies in Music & Media
Harvard University: Loeb Music Library Audio Preservation Studio
Indiana University: Variations2 aims to establish a digital music library testbed system containing music in a variety of formats, involving research and development in the areas of system architecture, metadata standards, component-based application architecture, and network services.
Indiana University Archives of Traditional Music and Harvard University Loeb Music Library: Sound Directions: Digital Preservation and Access for Global Audio Heritage is a project that will develop best practices and test standards related to digital audio preservation, including metadata, packaging, quality control, workflow, files, repository storage, and more.
Library of Congress: Digital Audio-Visual Preservation Prototyping Project; Project Documents (repository design, audio specifications, metadata, etc.)
Matrix at Michigan State University: Working Paper on Digitizing Audio for the National Gallery of the Spoken Word and the African Online Digital Library; MSU Libraries Audio Digitization Standards
National Gallery of the Spoken Word: Project Information
National Library of Canada: Digital Audio at the National Library of Canada
University of California, Santa Barbara, Department of Special Collections: Cylinder Preservation and Digitization Project
University of Kentucky: Eric Weig, Kopana Terry, and Kathryn Lybarger. "Large-Scale Digitization of Oral History: A Case Study". In D-Lib Magazine, vol. 13, no. 5/6, May/June 2007.

Standards

Audio Engineering Society: Standards in Print include:

AES31-1-2001: AES standard for network and file transfer of audio -- Audio-file transfer and exchange

AES5-2003: AES recommended practice for professional digital audio -- Preferred sampling frequencies for applications employing pulse-code modulation
See also:

AESTD1002.1.03-10 [pdf] AES Technical Document -- Recommendation for delivery of recorded music projects [2003-09-30 revision] Includes documentation examples and glossaries of technical terms and recording technologies.

Organizations Concerned With Audio Preservation

Mailing Lists

ARSCLIST: Archives in Conservation OnLine; ARSCLIST is an unmoderated mail reflector to facilitate the exchange of information on sound archives and promote communication among those interested in preserving, documenting, and making accessible the history of recorded sound. The list is sponsored by the Association for Recorded Sound Collections (ARSC) as a service to the archival community. Messages posted to this list do not represent the opinions of ARSC, the board of ARSC, the list owners or the host institution.
amia-l@lsv.uky.edu: Archives in Conservation OnLine; AMIA-L is an e-mail discussion list sponsored by the Association of Moving Image Archivists (AMIA). It is intended to facilitate communication among AMIA members and professionals in related disciplines interested in issues relevant to the association, to archival issues involving all aspects of moving image materials and moving image archives, and to any related technologies or special interests of the profession. Appropriate postings from AMIA non-members are welcome, and subscription to AMIA-L is open to the public.
To subscribe to AMIA-L, send the following message to Listserv@LSV.UKY.EDU:
Subscribe AMIA-L Your Name
AV-Media-Matters@topica.com: Archives in Conservation OnLine